Read e-book online $30 Film School: How to write, direct, produce, shoot, edit, PDF

By Michael W. Dean

We’re coming into a brand new period. Mini-DV filmmaking is the recent people, the hot punk rock, the recent medium the place a person can inform his tale. "$30 movie School" is a substitute for spending 4 years and 100000 money to benefit the alternate. it truly is inspired through punk rock’s selfmade spirit of simply studying the fundamentals after which leaping up on a degree and creating a element, and via the yankee paintings ethic again while it used to be natural, sooner than it grew to become all approximately firms crushing the little man. Throw within the hacker concept that details desires to be unfastened (or no less than very affordable) and you’ve acquired our deal. inside of you’ll locate many interviews from insightful self sufficient filmmakers and artists, in addition to a number of sensible recommendation, wisdom, and assets.

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Read Online or Download $30 Film School: How to write, direct, produce, shoot, edit, distribute, tour with, and sell your own no-budget DIGITAL movie (Power!) PDF

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Additional resources for $30 Film School: How to write, direct, produce, shoot, edit, distribute, tour with, and sell your own no-budget DIGITAL movie (Power!)

Sample text

Get good at everything. $30 Film School is all about being a jack of all trades. Brads There’s an old argument in Hollywood about how to properly bind scripts…that they have to be three-hole punched but only bound with brass #5 Acco brads, and only in the top and bottom hole. and that studios won’t look twice at your stuff if it isn’t properly bradded. 3 Back of script. ” We $30 Film Schoolers aren’t really concerned with impressing the studios. Basically, if you care too much about this stuff, you’re reading the wrong book.

I don’t think I would have gotten the amazing outpouring of support I did with this film if it had been about me and no one else. Y. or DIE is because it wasn’t about me; it was about community. I couldn’t have strategized a better plan for a first movie…though I didn’t set out to. I ended up getting attention from the star power of the candidates, and also had use of their resources: They linked me on their Web sites, gave me their press contacts, and more. 2 And it helped sell the thing, because most people are fans of at least one person in it.

Carole has a copy of my documentary. She waived my entrance fee for this, via e-mail, 8/11/2002. Thank you, Michael Dean ◆ Be creative. ” ◆ Ask everyone for everything (or get interns to help). Here’s a letter I faxed out. It didn’t work. But it could have: Hello. We are a nonprofit arts organization with 501(c)3 status looking for a company willing to give us billboard space as an n-kind donation in exchange for a tax write-off. Anywhere would be good, but Los Angeles would be best. An overview is attached.

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